Page 1 of 2: Page 1 Page 1 Page 2. I'd like to thank Don Ryun Chang and Chris Ro for their invaluable help and advice, which notably facilitated this feature. The lack of this type of literature and the resulting discussion in Japan and other Asian countries are notable and palpable. Follow him this Instagram designer to stay up-to-date with his latest client work for the likes of Nike, not to mention his incredible personal work. Ian Lynam These three titles have infinitely helped to open up discussion about the potentialities of graphic design in Korea, both in the educational and public spheres.
Xeme - A Graffiti Pioneer
Following the right Instagram designers is a great way to see new work. In this roundup, we've gathered together the designers, illustrators and animators with the best Instagram feeds. This is who you need to follow to get creative inspiration delivered directly into your feed. Instagram is one of the most effective social media networks for graphic designers. The image-based platform lets you capture and share the world around you, and gives you a sneaky peek into what others are up to, as well — including your favourite designers. If you're after a way to help your own page stand out, take a look at our guide to how to change the font in your Instagram bio. To help you find the best designers to follow on Instagram, we've compiled a quick list of some of the most inspiring, interesting and forward-thinking creatives on the platform, creating everything from pixel art to experimental design.
Here is our selection of ten Asian artists who create stunning art!
Not that I needed to seek out creativity in the city: even stepping into the airport, it was evident that this was a place that infused carefully crafted design with day-to-day living. The country itself boasts a prolific graphic design scene, pioneered by the likes of Young Jae Cho and Ahn Sang-soo. The latter is especially noted for designing a succession of experimental letters based on older Korean typefaces that were the first to deviate from the rigidity of Hangul typography, a Korean alphabet created in the midth century, and the square frame of Korean writing. Today, both established and emerging graphic designers, typographers and illustrators stretch from Seoul to Gwangju, demonstrating sophisticated works and a distinct design language. Here, we pick just some of the talents that caught our eye. Also read: The 10 most inspiring designers in China today. Established in by Ahn Sang-soo, Ahn Graphics is a Seoul-based design and publishing house that consists of four main departments: design, digital, media, and publishing.
The first appeared in the German typography magazine Slanted in The second version appeared on the Japanese cultural criticism blog Neojaponisme , an endeavor of which I am a co-editor. Both of these iterations featured an accompanying selection of work by contemporary Japan-based graphic design practices and projects. This version is unaccompanied by said selection of work, and the text has been slightly modified to allow the essay to work as a standalone piece. What follows is a contextual analysis and introduction to the issues at hand when considering cross-cultural discussions of graphic design between Asia and the Western World at present.